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Foster the People have spent the past few months touring heavily while their comeback single “Sit Next to Me” climbs the charts, making it their biggest hit since “Pumped Up Kicks” back in 2011. During downtime from the road, frontman Mark Foster sat down to create a list of songs that, in his words, “block out the morning sun.” “There’s definitely a through-line for all of these songs,” says Foster. “One of which is that most of these nobody will know, except maybe the [Giorgio] Moroder song.The Ministry song doesn’t sound like Ministry. The Beach Boys song doesn’t sound like the Beach Boys. They’re outliers.They’re all kind of weird downtempo disco, or postpunk left-of-center dance.”
Giorgio Moroder, “Knights in White Satin (Part 2)”
“I started to listen toGiorgio Moroderafter I saw his name in the credits as the composer for the Midnight Express score. I hadn’t evenrealized he had scored Scarface yet. I was too young when I watched that movie to pay attention to the music. I first heard ‘Knights in WhiteSatin’ through my friend Jena. She was working on Neon Demon with Nicolas Winding Refn and this was the song he played on set whileshooting a lot of the film — his musicalmuse, you could say. There are very few artists that even attempt to make dark disco. This mood is atough one to express for some reason.”
The Beach Boys, “Here Comes the Night”
“This era ofthe Beach Boyssuffered an identity crisis of sorts. You would never know it was them upon a first listen.Brian Wilsonhad been mostlyout of the picture, and withMike Loveat the helm they took many different musical turns and explorations. There are some incredible gems tobe found in the late Seventies / early Eighties Beach Boys recordings. This is one of my favorites. It’s not hard for me to pictureMike LoveandBruceJohnstonwearing polyester bell bottom suits underneath a giant disco ball living their best lives.”
Ministry, “Work for Love”
“This song harkens back to the days whenAl Jourgensenwas kind of a heartthrob. The early Ministry days sound like a mix of a playfulJohnny Depp from21 Jump Street and theCure when Robert Smith was in love. it’s amazing to watch where this band started knowing thatthey would go on to be pioneers of industrial music. Now, I can easily picture their singer Al as a permanent fixture in the basement of avampire-themed Berlin dungeon. People change.”
The Units, “High Pressure Days”
“One of my favorite things to do when digging for new music is to try and find something hidden in the past that would easily be played on theradio today. Something way ahead of its time. Recordings ofJoe Meek, Gang of Four, Suicide, ESG,Kraftwerk, etc. When I first heard this songby the Units, I could hear the early foundation for what would later be a major influence for bands likeLCD Soundsystem. If the vocal in thissong were mixed a little better, it wouldn’t be hard to picture it being played on SiriusXMU or being Zane Lowe’s ‘Hottest Record.’ This was releasedin 1980.”
https://www.youtube.com/watch?v=DJJNkeBnN28
Jerry Goodman and Jan Hammer, “Earth (Still Our Only Home)”
“There are a few different versions of this song recorded. I think evenJeff Beckplays some strange renditions of this live. Thealbum version is my favorite though. Nasty simple groove, super nerdy chord changes, and a ripping prog guitar that comes out of left field. Iapplaud the bravery. Thank you, Jan Hammer.”
